— Père Henri, Chocolat (2000)
{sobre mi} {altre blog} {llocs on anar} {Twitter} {flickr} {xiuxiueig a mi}
n. the realization that each random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness—an epic story that continues invisibly around you like an anthill sprawling deep underground, with elaborate passageways to thousands of other lives that you’ll never know existed, in which you might appear only once, as an extra sipping coffee in the background, as a blur of traffic passing on the highway, as a lighted window at dusk.
| Dad: | So when you move to London, are you going to stop being a Barcelona fan and switch to some English team? |
| Me: | So are you good with oxygen in your lungs, or are you going to switch to methane? |
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing facade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
T. S. Eliot
from “East Coker,” The Four Quartets
Not to be all Chris McCandless but I think careers are a 20th-century invention and I don’t want one. (Says the writer, who prefers to invent her own career.)
(Fuente: whereismyoscar)
—
T.S. Eliot
from “East Coker” (text here), from The Four Quartets
— Dorothy Day
(Fuente: awkwardbutaccurate)
— Banksy
(Fuente: splinter-eye, vía elfinsparkels)
#the world would be a better place if more people were like steve rogers
(Fuente: hiddleston, vía thegirlwhobloggedlikeaman)
…well, actually, it seems that theatre and futbol and poetry are the most spiritual things I could find to do with a Sunday morning.
— Gabriel García Márquez, Love in the Time of Cholera
(Fuente: crazylifeofa, vía fuckyeahreading)
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